Ugandan street photographer working out of Kuala Lumpur. He went to Malaysia to study software engineering and now lives there — the city is where his eye got trained.
He arrived at photography sideways. The instinct showed up first in game development; building Outrush: Synthwave Action, a synthwave autorunner for mobile phones; drawn from synthwave culture and art, where the look of the thing mattered as much as the play.
Photography followed, quietly, on a small Canon G7X he carried through his early university years. It stayed a hobby for a long time. A Nikon Zf in late 2025 changed that, and shooting went from occasional to weekly.
The street is where he works. Night markets, festival crowds, temples, train platforms, and whatever the monsoon does to a road at dusk. He shoots available light and treats hard conditions as part of the picture rather than a problem to fix.The people in his frames are usually working, moving or waiting, caught mid‑routine instead of arranged for the camera.
He has photographed across Malaysia, Uganda and Japan.
Alongside he makes POV reels, filming from his own eyeline so the walk, the hesitation and the frame that results all sit in one clip. It has become a second thread of the work, a way of showing the process and not only the print.
He has no interest in locking into a single look. Experimenting in the open, and visibly getting better, is part of how he works.
Outside photography he is a software engineer with AI at the centre of his work. The two habits feed each other more than they compete: pattern, iteration, and a tolerance for going back until it lands.
